Andriy Kaprals Bold Stance: Why Pikkardiyska Tertsia Shunned Russia
In a world where cultural exchanges often blur borders, Ukrainian band Pikkardiyska Tertsia stands firm in its principles, refusing to perform in Russia beyond a mere three occasions. Andriy Kapral, the band's charismatic frontman, recently shared insights into the group's stance and their memorable experience in Donetsk before the war.
A Surprising Encounter in Donetsk
Back in 1993, Pikkardiyska Tertsia participated in the "Chervona Ruta" festival in Donetsk. The experience left a lasting impression on the musicians, not just for their performance but for the chaotic organization and the eerie atmosphere of the city. Kapral described Donetsk as a place rife with criminal elements and a populace inundated with "Russian mir, " a cultural influence that seemed to eclipse Ukrainian art.
"Donetsk was memorable for its gangster presence, though I mean no offense. People everywhere are wonderful, but the city felt stifled by a foreign culture, " Kapral remarked, highlighting the broader issue of cultural suppression.
A Deliberate Choice: Avoiding Russia
Despite countless offers to perform in various countries, Pikkardiyska Tertsia has remained grounded in Ukraine, driven by a mission to promote their cultural roots. Their rare performances in Russia were deeply symbolic and carefully chosen: a tribute to Taras Shevchenko in Moscow and a couple of caroling events invited by Ukrainian communities in Siberia.
"Before God and the Ukrainian people, we are clean. We never turned east. Moscow and its ways were always alien to us, " Kapral emphasized, revealing a personal history of familial deportations to Siberia that shaped his view.
A Commentary on Artistic Integrity
As other artists grapple with past decisions to perform in Russia, Pikkardiyska Tertsia's unwavering stance offers a poignant reflection on artistic integrity and cultural loyalty. Their journey underscores the power of choice and the impact of steadfast convictions in a world often swayed by commercial interests.
Editor: Yana Davydiuk