The world held its breath as Ariana Grande stepped onto the red carpet at this year's Oscars, not just as a nominee for Best Supporting Actress for her role as Glinda in "Wicked, " but as a true fashion icon. Schiaparelli's stunning red gown, specially adapted for Ariana, dominated headlines. This choice was not just another red carpet moment; it was a bold fashion statement.

A Dazzling Entrance: Grande's Fashion Triumph

When Ariana Grande arrived, she was a vision in a luxurious ruby red gown by Schiaparelli, a creation of designer Daniel Roseberry. Originally showcased in the haute couture 2024 collection, this gown was customized in a striking ruby hue, a nod to the iconic slippers of Judy Garland from "The Wizard of Oz." This color choice might hint at the storyline of "Wicked Part Two, " expected to premiere soon.

"Fashion is not just about clothes; it's a form of expression, " said Grande's stylist, Mimmi Cuttrell.

The Magical Details Behind the Gown

This masterpiece of a gown featured an exquisite white tulle skirt and a bodice adorned with over 190, 000 crystals, inspired by an archival lamp from Alberto Giacometti. The ensemble was a seamless blend of glamour, symbolism, and haute couture artistry. This creation stood out not only for its craftsmanship but also for its narrative power, embodying Grande's character and the magic of cinema.

Grande's Evolving Fashion Journey

Throughout this awards season, Ariana Grande has been a beacon of sophistication and creativity. From a vintage Yves Saint Laurent feathered gown at the SAG Awards to a buttery yellow Givenchy from 1966 at the Globes, her choices have been deliberate and symbolic, mirroring her cinematic role. Yet, her Oscars appearance was the most audacious and avant-garde moment of her fashion journey this year.

The Schiaparelli red ensemble was not merely an outfit; it was a symbol of the grand finale of her awards season journey. While the coveted Oscar itself remains a goal for Grande, her style has undeniably left an indelible mark on the fashion history.

Editor: Yana Davydiuk